Paul Weller: Rediscovering the Hidden Gems of His First Solo Decade

Paul Weller’s initial solo years were marked by a curious journey, beginning in relative obscurity before reaching the heights of the *Stanley Road* revival and ending with renewed admiration, at least in Britain. Known for his prolific output, Weller compiled a three-disc collection of B-sides, remixes, and session tracks in 2003, which briefly peaked at #22 before fading into obscurity. Now, this compilation has resurfaced, though ironically without any additional content, simply marking its first appearance on digital platforms.

The collection includes a disc of covers ranging from The Beatles’ “Sexy Sadie” to Ben Harper’s “Waiting On An Angel” and various soul classics. However, as *Studio 150* later demonstrated, Weller’s strength does not lie in covering others’ work. The true gems in this collection are the B-sides, where Weller’s creative freedom shines. Tracks like the live version of “Foot Of The Mountain” from the Royal Albert Hall, Portishead’s dub-infused remix of “Wild Wood,” and the hauntingly beautiful “A Year Late” stand out, showcasing Weller at his most unrestrained.

These B-sides reveal a different side of Weller, one that’s unencumbered by commercial expectations, allowing him to explore and experiment. The swirling “Arrival Time,” a track that Weller recalls being met with indifference during a live performance at New Orleans’ Tipitina’s, is a perfect example of this creative liberation. While the collection might seem like an assortment of cast-offs, it ultimately serves as a testament to Weller’s versatility and willingness to take risks, making it a delightful treasure for fans and a reminder of his enduring talent.